\n<\/p>\n
To understand the purpose of the reference, we need only go back to 2017, the year Anderson gave an interview to AnOther Magazine<\/a>,<\/em> focusing on the books that had impacted his education, life, and work. Stoker\u2019s masterpiece appeared among them, and the designer said he\u2019d made a particular discovery about the book, essentially by chance.<\/p>\n \u201cWhen I got a job with Brown Thomas and moved to Dublin, I remember walking past a red brick house with a plaque on it that read \u2018Bram Stoker, author of Dracula,<\/em> lived here,\u2019\u201d Anderson said in the interview. \u201cI had to do a double take because I never knew that an Irish person wrote Dracula.<\/em> People tend to think it\u2019s American. When I realized Bram Stoker lived on the same street, Kildare Street, that I was living on in Dublin, it took me a few days to process\u2026. Dracula<\/em> became one of the most iconic stories of the 20th century, over 200 films have been made of it, and his Irishness is often overlooked. The novel has been interpreted as Stoker\u2019s play on late-Victorian fears of immigration\u2014mostly from Eastern Europe at the time\u2014which goes to show how history repeats itself.\u201d<\/p>\n It\u2019s not just a creative inspiration or aesthetic choice, but an interpretation that proves to be strongly linked to current events, an area that Dior\u2019s newly appointed creative director\u2014he recently took over from Maria Grazia Chiuri<\/strong><\/a>\u2014will bring to the runway in this new adventure. Which, given the preview, promises to be very, very interesting.<\/p>\n<\/div>\n