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Overwhelmed with trying to keep up with the different AI models you can use to make content? A startup called Krea<\/a> is looking to solve this problem specifically for designers and other visual creatives, and it has now raised $83 million for its platform, which it believes will make working with generative AI a lot smoother.\u00a0<\/p>\n San Francisco-based Krea says its \u201cunified\u201d platform provides tooling from multiple models, along with a custom interface aimed at making queries and subsequent edits sent to those models significantly easier and more customizable.\u00a0Its user base includes creators at\u00a0Perplexity AI,\u00a0Loop Earplugs,\u00a0Pixar,\u00a0LEGO, and\u00a0Samsung. <\/p>\n Krea\u2019s funding is being announced for the first time today, and the $83 million is actually coming in a few tranches: the latest, a Series B, totals $47 million. That was preceded by a preseed\/seed and Series A of $3 million and $33 million, respectively.\u00a0TechCrunch has learned from sources close to the deal that the startup is currently valued at $500 million post-money.\u00a0<\/p>\n Bain Capital Ventures is leading the latest round. Other major investors in the startup include Andreessen Horowitz and Abstract Ventures.\u00a0<\/p>\n Krea is the brainchild of Victor Perez (CEO) and Diego Rodriguez (CTO), who met when they were still students in Barcelona a decade ago. Both consider themselves creatives and creators \u2014 Perez in music playing and production, and Rodriguez in art \u2014 but they have always been interested in technical subjects, too.\u00a0<\/p>\n \u201cI liked physics and maths and problems that challenged my mind,\u201d Perez said, recalling his student days.\u00a0<\/p>\n The degree that introduced them to each other was engineering for audio-visual systems. They quickly became friends, and Perez credits Rodriguez with sparking his own interest in AI.<\/p>\n That was back in 2015, several years before the generative AI boom, but it was a formative moment for artificial intelligence. That was when OpenAI was founded<\/a>, and startups making early efforts around AI-created content were getting attention<\/a>.<\/p>\n After their undergraduate degrees, the two became AI researchers. Rodriguez eventually applied to go back to graduate school and won a fellowship from the king of Spain to attend Cornell. Perez followed, got the same fellowship and showed up a semester later.\u00a0<\/p>\n But as it turned out, Perez ended up staying at Cornell for the grand total of one day. <\/p>\n Why? Leading up to the move, he was already thinking up what would become an early version of Krea. Excited, he landed in New York and approached Rodriguez with his idea immediately. Rodriguez jumped in with both feet, and the two dropped out to build their startup \u2014 the king of Spain and his fellowship be damned.<\/p>\n The gap in the market that Krea is addressing is a big one at the moment. Put simply, the world has quickly been inundated with GenAI tools, and this presents several problems for the average designer when it comes to visual models.\u00a0<\/p>\n Designers are not prompt engineers and do not want to be bogged down in the technical process of verbal AI interrogation. Designers are by and large not interested in keeping up with the latest model updates and figuring out which model is more (or less) effective for what they\u2019re trying to do.\u00a0<\/p>\n \u201cEach model is being leapfrogged very quickly by another one,\u201d Aaref Hilaly, a partner at Bain Capital Ventures, said in an interview. \u201cIf you\u2019re a creator and want to use these models [\u2026] having a layer like Krea on top of all of them makes sense and that provides value to the creator. They are getting the latest models with a great user experience.\u201d<\/p>\n Creators, Krea\u2019s founders argue, work best when they have software that understands their sensibilities. Designers are creative, and they will gravitate to software that helps them with their process.\u00a0<\/p>\n \u201cA lot of companies are focused on replacing creative workflows,\u201d Perez said. \u201cBut we believe that creativity is not going to be automated. We are building tools for people to be more creative, to be able to focus more on ideas, and to be able to use this new creative medium.\u201d\u00a0<\/p>\n Krea\u2019s platform is ostensibly set up to that end. Users start by inputting an idea for an image they would like to create. That idea is then processed by Krea, which selects the models that it believes could give users the best outcome based on the request. That might be one model or more than one. Users can then edit and tailor the resulting selections to refine them further.<\/p>\n The \u201cone-stop shop\u201d idea is not exactly original: Poe from Quora is approaching the same idea for text-based generative AI responses, for example. Krea\u2019s ability to modify the images, however, is a unique feature that it believes is what helps keep the creator\u2019s vision and talent in the mix.\u00a0<\/p>\n \u201cWhy isn\u2019t it possible to go on an [AI-generated] image, and click and drag and drop something in or take something out?\u201d asked Rodriguez. \u201cThat\u2019s how a painter would work.\u201d\u00a0<\/p>\n The company\u2019s tools cover still images and videos, and it is working on expanding its platform to support tools for audio and music generation as well, Perez said. The funding will also be used, the company says, to build more enterprise features \u2014 so far, the product has been geared to serve individuals and small teams.<\/p>\n \u201cKrea\u00a0extends human creativity with a product that gives users full control without sacrificing power or craft,\u201d Anish Acharya, a general partner at Andreessen Horowitz, said in a statement to TechCrunch. \u201cThey\u2019ve built a platform that moves at the speed of the best AI research, but feels intuitive from day one. That combination is incredibly rare, and it\u2019s why we\u2019re so excited about what\u2019s ahead.\u201d<\/p>\n<\/div>\nFrom creatives to AI creators<\/h2>\n
Leapfrogging the leapfrogs<\/h2>\n